![]() ![]() The opera’s ravishing, quasi-cinematic score by Daniel Catan (the Mexican composer of Sephardic Jewish heritage who died in 2011, and whose earlier opera, “Rappaccini’s Daughter,” received a stunning virtual production last spring by Chicago Opera Theater), is matched by its beautiful libretto by Marcela Fuentes-Berain who openly acknowledges that she was inspired by Garcia Marquez’s writings. ![]()
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